Biesendorfer's film is an emphatic contemplation of the things which surround us. Its vision of this surrounding world is always self-referential and solipsistic, yet is however still able to involve us in its joie de vivre.
His images are completely without irony. He observes in a detached way. The film is also a brief reference to the film maker's need to create: to create food in the kitchen, create images, create a child. Biesendorfer playing golf, his wife undressed, his son, brief everyday scenes and a number of insignificant out of context observations: the film maker stuffs them all into a party, the "Hot Dog Party" of the title, during which he also records the soundtrack of the film.