Exhumed 16mm film from my own ‘landfill’ in Indiana constitutes the canvas of LANDFILL 16. After finishing my double-projection WHEN IT WAS BLUE I was horrified by the bulk of outtakes that would normally end up in a landfill. So I temporarily buried the footage to let enzymes in the soil begin to decompose the image, and later I hand-painted that film to give it new life. Within this pulsating, abstract moving painting I attempt to express my dread of man-made waste. This ‘recycling’ is a meditation on nature’s losing battle to decompose relics of our abandoned technologies and productions.