Jakarta traffic moves with the harmonious chaos of complex self organising entities everywhere. Through contact printer mattering techniques this mass transport becomes denser and denser until only the fluid futility of motion/motionlessness remains. Jakarta traffic stands as proof of the paradox of motion.
“The masks were made by filming one piece of paper on which I had printed black stripes. All the masks were made from filming the same piece of paper, sometimes horizontally, sometimes vertically, sometimes moving the camera, sometimes very close, etc., etc..”