Things to Come |
Graham Ellard, Stephen Johnstone |
2011 |
Thème et Variations |
Germaine Dulac |
1928 |
The Zapruder Footage: an Investigation of Consensual Hallucination |
Keith Sanborn |
1999 |
The Visible Compendium |
Larry Jordan |
1992 |
The Very Eye of Night |
Maya Deren |
1959 |
The Return Of Shadows |
Mike Cooper |
2007 |
The Quilpo Dreams Waterflows |
Pablo Mazzolo |
2009 |
The Other Mother |
Ronnie Van Hout |
2011 |
The Or Cloud |
Fred Worden |
2001 |
The Mulch Spider’s Dream |
Karel Doing |
2018 |
The Motion Controllers |
Ian Helliwell |
2009 |
The Miracle Of Don Cristobal |
Larry Jordan |
2008 |
The Masked Monkeys |
Anja Dornieden, Juan David González Monroy |
2015 |
The Leap |
Tom Ditto |
1968 |
The last lost shot |
Cécile Fontaine |
1999 |
The Kiss |
Luis Macías |
2014 |
The Invasion of Thunderbolt Pagoda |
Ira Cohen |
1968 |
The Influence of Ocular Light Perception |
Thomas Draschan |
2005 |
The Hut |
John Smith |
1973 |
The Hog Farm Movie (excerpt) |
David Lebrun |
1970 |
The Hand Eye (Bone Ghosts) |
Anja Dornieden, Juan David González Monroy |
2012 |
The Glass System |
Mark LaPore |
2000 |
The Girl Chewing Gum |
John Smith |
1976 |
The Fourth Watch |
Janie Geiser |
2000 |
The First Round Dance |
Masha Godovannaya |
2001 |
The Exile / Pituvahalayā |
Rajee Samarasinghe |
2010 |
The Director and His Actor Look at Footage Showing Preparations for an Unmade Film (2) |
Morgan Fisher |
1968 |
The Death Train |
Bill Morrison |
1993 |
The Dante Quartet |
Stan Brakhage |
1987 |
The Cup |
Maxim Iliukhin |
1999 |
THE CITY BRIDGES ARE OPEN AGAIN |
Masha Godovannaya |
2020 |
The Black Plowman |
Aristarkh Chernyshev & Vladislav Efimov |
2002 |
The Autonomous Object? |
Brad Butler, Karen Mirza |
2008 |
The Acryliac |
George Kuchar |
1998 |
Terminal City |
Chris Gallagher |
1982 |
Tension-Suspense: Bucharest, near Piata Universitatii, 24 hours |
Bernhard Schreiner |
2008 |